Label: UNI Records, Universal City Records, MCA Inc., Universal City Records, Chisa Productions, Gold Star Studios
Catalog number: 73028
Country: US
Hugh Masekela’s The Promise of a Future stands out for its blend of infectious jazz rhythms and socially conscious themes, with “Grazing In The Grass” delivering a memorable burst of upbeat trumpet that helped define Masekela’s sound in the late 1960s. Produced by Stewart Levine, the album features a tight ensemble including Bruce Langhorne and William Henderson, creating a focused listening experience that balances lively grooves with reflective moments like “No Face, No Name And No Number.” The mix of acoustic instruments and subtle arrangements makes it a rewarding listen for those who appreciate jazz with a soul-inflected edge. This 1968 pressing on UNI Records offers a vintage window into Masekela’s artistry during a vibrant period. The vinyl shows typical signs of use consistent with a VG grade, meaning it plays well but may exhibit some surface noise or visible wear. It’s a solid choice for collectors who want a playable copy without the expectation of flawless sound. The album’s cover art and pressing year place it firmly in the era’s rich tapestry, and the 12-inch format ensures full immersion in the music—perfect for anyone ready to explore this chapter of Masekela’s catalogue, even if it’s not the quietest companion on your turntable.
Track listing & samples
Hugh Masekela - The Promise of a Future
Side A
Ain't No Mountain High Enough
Madonna
No Face, No Name And No Number
Almost Seedless
Stop
Side B
Grazing In The Grass
Vuca = Wake Up
Bajabule Bonke = The Healing Song
There Are Seeds To Sow
Sound samples are included to help you get a feel for the music, but they may not always match the exact pressing or track version of the record listed. When in doubt, trust the photos and pressing information - that's the actual record you're buying.
Quantity
🔥Only ONE copy is available.
When it’s gone, it’s gone!
Chuck Mangione's 'Feels So Good' shares a similar acoustic small group texture and focused listening vibe, making it a delightful companion to Masekela's work.